Download Mobi The City of Mirrors: A Novel (Book Three of The Passage Trilogy) By Justin Cronin

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The City of Mirrors: A Novel (Book Three of The Passage Trilogy)-Justin Cronin

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#1 NEW YORK TIMES BESTSELLER • “A thrilling finale to a trilogy that will stand as one of the great achievements in American fantasy fiction.”—Stephen King You followed The Passage. You faced The Twelve. Now enter The City of Mirrors for the final reckoning. As the bestselling epic races to its breathtaking finale, Justin Cronin’s band of hardened survivors await the second coming of unspeakable darkness. The world we knew is gone. What world will rise in its place? The Twelve have been destroyed and the terrifying hundred-year reign of darkness that descended upon the world has ended. The survivors are stepping outside their walls, determined to build society anew—and daring to dream of a hopeful future. But far from them, in a dead metropolis, he waits: Zero. The First. Father of the Twelve. The anguish that shattered his human life haunts him, and the hatred spawned by his transformation burns bright. His fury will be quenched only when he destroys Amy—humanity’s only hope, the Girl from Nowhere who grew up to rise against him. One last time light and dark will clash, and at last Amy and her friends will know their fate.Look for the entire Passage trilogy:THE PASSAGE | THE TWELVE | THE CITY OF MIRRORSPraise for The City of Mirrors“Compulsively readable.”—The New York Times Book Review “The City of Mirrors is poetry. Thrilling in every way it has to be, but poetry just the same . . . The writing is sumptuous, the language lovely, even when the action itself is dark and violent.”—The Huffington Post “This really is the big event you’ve been waiting for . . .  A true last stand that builds and comes with a bloody, roaring payoff you won’t see coming, then builds again to the big face off you’ve been waiting for.”—NPR “A masterpiece . . .  with The City of Mirrors, the third volume in The Passage trilogy, Justin Cronin puts paid to what may well be the finest post-apocalyptic epic in our dystopian-glutted times. A stunning achievement by virtually every measure.”—The National Post “Justin Cronin’s Passage trilogy is remarkable for the unremitting drive of its narrative, for the breathtaking sweep of its imagined future, and for the clear lucidity of its language.”—Stephen King

Book The City of Mirrors: A Novel (Book Three of The Passage Trilogy) Review :



I just finished City of Mirrors, and I'm partly writing this review so I can talk about it with somebody. I am a pretty voracious reader, but I've found that my patience for long books has waned in past years, maybe because we live more and more in a 140-character world. City of Mirrors is the first book in a very long time that I wanted to savor, that I didn't want to finish: parts of it left my jaw hanging and my eyes as wide as they can be opened.It is not a perfect book: in my opinion, Cronin's female characters are all a little too alike and a little too perfect: sassy, smart, headstrong (I know, could be much worse). When the men in his stories fall in love with these women, they fall instantaneously, hard, and forever, whether they're 14 or 60. But I think that might be my only critique of his writing. So now that's over with, I can sing its many, many praises.Justin Cronin has a gift for creating sentences. His grasp of language and ability to use it to capture a moment so clearly it's as though I'm watching a movie is unassailable, whether or not one appreciates his "genre." He is able to build a story like those cotton candy machines create their cloud of sugar: completely three-dimensional, yet diaphanous, with no more structure than absolutely necessary to hold the creation together. In an era where I truly believe we are witnessing the dumbing down of our language into tweetable, textable shortcuts, Cronin pulls out his dictionary and finds the exact right word to depict the emotion of the moment. There wasn't a single time when I thought, "this is overwritten," or "less detail, please:" it was pitch-perfect in its creation of people, relationships, and the scenery upon which those relationships were played out.I won't give any spoilers: I'll just say that for me, the book brought a very satisfying end to this epic tale. There might have been one or two places that felt a little too "tidy" and fortuitous, but overall his storytelling walks the balance between fantasy and true, imaginable possibility with utter grace. I am truly sorry to see these characters go, at least until I start reading the whole trilogy all over again, which I guarantee I will.
I loved the first book, liked the second, but this final novel was absolute torture to get through. Reading it reminded me of the feeling one has watching the last season of a TV show you once enjoyed that should have been cancelled long ago. Reading "City of Mirrors," I found myself generally angry and aggravated with Cronin. Even his creativity with character names began to seem forced and lame and contrived ("Nessa?" "Olla?" Gag me.) By and large, however, Fanning's 1980s Cambridge interlude was the worst and most self-indulgent nonsense I have ever been forced into reading. I'm not sure which Harvard Cronin attended in the 1980s, but I was aghast that he got so much of that era wrong. His characters behaved more like they were inhabiting the late 1950s and early 1960s as the segment began that I kept hearing the theme to "A Summer Place" and envisioning Cate Blanchett in her "The Talented Mr. Ripley" dresses. If I wanted to read a period piece about being in my late teens and early twenties during the 1980s I would have reread "Less than Zero" or "Bright Lights, Big City" (although technically Fanning starts school in late '89.) The entire book required a strong, scolding, editor. The illustrations at the end of the book are an unexpected bright spot - but by then it is far too late.

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